As a solo-op mobile DJ, I am constantly looking at new solutions to improve my capabilities to deliver great sound while being mindful of setup and breakdown times, weight, and reliability. In 2014 I decided to give the Mackie DL806 a whirl.

When I made some new investments in my equipment in 2014 I had been searching for the ability to keep the look of my systems clean, but to be able to have feature-rich controls at my fingertips. Prior to this I would go directly from my Rane 62 to my speakers, relying on my individual mic input to manage EQ and volume, and my Booth Out to manage my signal to my wireless transmitter to my cocktail hour speakers. For ceremonies I would rely on direct inputs into my speakers, which for my DXR8 it gave me a little control over things like having a high pass filter, but I wanted far more control, especially in my ceremony setups.

Back in September 2014 there were a couple relatively new options on the market that seemed to fit the bill. The Behringer X32 Rack which would give the Mobile DJ lot of overkill with 32 channels of inputs and a $1200 price tag meant a hefty investment. I mean even in extreme situations you typically would not use more than 8 input channels as a mobile DJ, and that is when doing something extreme like plugging a live band into your setup (which I have done before). But given the X32’s diminutive 3U rack space size it was very tempting. The other new option was the Mackie DL806. It’s bigger cousin DL1608 was out for a little but here comes a more “right-sized” solution for a mobile DJ and at $600 the price tag was very reasonable. So after some debate I bit the bullet and purchased a DL806.

My “Main Box”

Now I decided to experiment and created a “main box” for both ceremonies and my main rig? I purchased an Odyssey FZ1004 slant rack case and added a Mackie DL806/DL1608 rackmount kit. The kit itself occupies 9U of space so you still have 1U of space that you can squeeze in a PDU, a panel, or something else in the remaining 1U of space if you wish. Mind you that the power cord and the Ethernet cable protrusion on the back side will make it a tight fit.

For the remainder of this “main box” I put together my microphones, wireless transmitter, and wifi router. Now being that all of this is in the FZ1004, it isn’t the most lightweight solution. The FZ1004 is a bit bulky and some of the parts like the DL806 rackmount kit is very solid but very heavy.

Mackie DL806 in a slant case.

v1 of Paris Creative’s main audio management box. Included is a Mackie DL806, GTD audio microphones, Alto Wireless transmitter, and a WiFi router

The DL806 in the Real World

The short of it is the DL806 was a great investment for me and I think is a great investment for any Mobile DJ. The UI of the iOS version of MasterFader is very intuitive and very responsive. There is so much control over the individual channels and to the master outputs. EQ, Gate, Compression, etc.

Docked, the response of the controls are spot on. Sure, a touch capacity screen will never replace the feeling of a slider, but given the application it’s very very good. Over wifi the response is ever so slightly delayed, but makes up with the convenience of portable sound control.

Because you can play an app over the iPad when it’s docked, the DL806 becomes an even more solid solution for wedding ceremonies. You can play audio over DJay or even the iOS Music app. When docked the control strip in MasterFader adds the iPad channel as a separate internal channel to manage. You do have to worry a little with sun glare and a docked iPad. while the iPad is in just enough angle that even the brightest sunlight should be visible, it is still direct light and makes it hard to see, and if you leave your equipment in the heat it will shorten it’s life.

Another nice feature is the ability to record your sets. There is a pretty big shortcoming that you can only sync your audio off the device with the app and inside a convoluted array of windows to get to the app’s storage. It would be nice to have an alternative location to sync to, say like Dropbox or another cloud application. You can download other iPad apps to do live recording, but you will of course use more resources doing it this way.

Addendum: After posting this article to a few of the Facebook groups, it reminded me that there is something in addition worth mentioning here. The DL806 is a “quiet mixer”, being that compared to the direct outputs of my Rane 62 there is a noticeable cut off in volume if you are keeping your vu meters to ~0db. So you can remedy this of course by making the source volume hotter, or pushing the master output a bit hotter. But it’s a inherent part of the equipment that it’s worth noting.

The Mackie DL806 Sound Chain

A picture of a typical audio chain using the DL806. This is condensing both my ceremony and reception rigs to one diagram.

My Setup v2.0

Since my original build I decided for 2015 to buy another DL806 so I could have individual boxes. I’ve rethought my overall configuration of the boxes as well. I’ve converted the FZ1004 case into a rolling rack case to make things a bit easier to manage for my primary system. I’ve kept the Alto Wireless in this box since I almost always play cocktail hour segment off my primary system. If not I have already pre-wired my ceremony setup to accept the Alto box, so it’s literally un-velcro the box from my reception to the ceremony rig, plug in two cables, and go.

For ceremonies I’ve pressed back into service my Gator GRB-4U rack bag and with a couple modifications, turned that towards my ceremony setup. I decided to break apart the ceremony setup, opting to keep the DL806 in it’s Mackie bag to shed some weight. It’s then a less-than 60 second connection of the mic cables and power.


As good as the DL806 is, it could be even better. After having this for 9 months there are a couple things that would be awesome to have:

  • An alternative version of the unit that can be a regular rack mount solution. You could probably squeeze it into 2U or 3U of space. Yes you would lose the docking capabilities, but you would save a lot of space.
  • The ability to stream off the iPad over WiFi. This would give ultimate portability for the system.
  • The ability to change the path of a recording to an alternate source like Dropbox.
  • A feedback canceler would be very welcome. No matter how much you ring out your rig, the world of Mobile DJs, especially a wedding DJ, means guests with poor mic skills and the ability to find every possible point of feedback ever possible.
  • MasterFader for the Mac and PC. It would be convenient to not to have to use the iPad.


In 2015 there seem to be some more options coming out that really fit into the Mobile DJ category of audio processing. Behringer is launching the XR12 and XR16, a smaller version of the XR18 that is really aimed for these types of applications. AT $300 and $500 they are very price competitive and even includes built-in WiFI. But it does not seem you can play native files from the iPad so you would need a playback source of some kind for ceremonies.

Soundcraft has launched the Ui12 and Ui16, which steps things up a notch with not only WiFi, but also a dbx feedback canceler. However there seems to be some bugs that need to be worked out before this can be placed into a critical application. You can read my review of the Ui16 here.


The DL806 has been a very reliable mixer and then some. Lucky for the Mobile DJ companies, it seems we are in the early stages where other companies will throw their weight into these compact solutions that really work well for the Mobile DJ.

Author - Lou Paris

Author Biography: Lou Paris of Paris Creative

Lou Paris has been DJing since 1988 and has a deep passion for music of all styles and genres and became a wedding DJ in 2012. Coincidentally, Lou is also a successful 20+ year IT professional and has merged many technology concepts to ensure a successful night of entertainment. Click here to learn more about Lou's background.